Plot Progressions

Making readers want to read on, that's the writer's goal. No one wants to have their readers stop halfway through the book or story. Surprise endings are one way to create tension (though not a very good way.) So is dramatic irony. A third method is plot progression.

Plot progressions are a type of dramatic irony in that the audience is clued in to what is coming next. The story starts with a small action, repeats that action on a somewhat larger scale, and then repeats the action again with even greater consequences (and a greater payoff for the reader). Readers are kept on the hook because they can see where this course of action is leading (even if the protagonist cannot).

There are many, many examples of this kind of plot (in fact, I challenge you to come up with your own examples!), but my favorite comes from Stephen King's Pet Cemetery. (Warning: spoilers follow!)

Pet Cemetery centers around the idea that dead bodies buried in a secret Native American burial site will come back to life. Well, 'life' in a reanimated corpse kind of way. The plot begins with the death of a student; a person who is only marginally associated with the protagonist, Dr. Louis Creed. But this action makes Creed begin thinking about death and his own philosophy of the afterlife. Next, Creed's elderly neighbor dies, and the doctor gets a more personal look at the tragedy. A while later, Creed's daughter's cat dies and the doctor, unable to bear his child's sorrow, buries the cat in the enchanted cemetery. The results are disastrous, and he vows to never do it again. But then his son dies...

Looking at this progression, you can see how King builds the tension and intensifies the payoff. Sure, the audience has a pretty good idea of what is going to happen, but they can't wait to read it. Like watching an impending car wreck, you can't tear your eyes away.

Plot progression can be as simple as a fairy tale (which is the basis for such stories as Goldilocks and the Three Bears and Jack and the Beanstalk) or as complex as a Stephen King novel, but it is a terrific way to keep your readers involved in your story.

Twitterpated

Twitter this and twitter that... What's the point?

Well, up until now, I wasn't sure. I, for one, am not interested in who is walking the dog and who is eating toast with jam. But in a recent blog post on Reading, Writing, & Stuff That Makes Me Crazy, Marianne Arkins explains how she used Twitter to not only chat with people, but to draw attention to her blog. Clever!

For those of you unfamiliar with the concept, Twitter is a messaging system in which people can post very brief messages on what they are doing. But a clever few have turned this strange new communication tool into works of art. Sort of.

Some Twitterers give out information, for example, entries of free fiction that has been posted on the Internet. But others actually post full-fledged fiction Twitters. Well, at least as full-fledged as fiction can be in 120 characters.

For me, I decided to post 120 character book reviews on my Twitter account (which you can view here.) And since 120 characters seems awfully short, I've decided that I could actually make my reviews rhyme. I've always admired the poet Ogden Nash whose famous couplets (such as, "candy is dandy, but liquor is quicker") were both clever and insightful. And while I don't claim to be either clever or insightful, I can at least write a rhyming couplet.

Today's book review is "Duma Key" by Stephen King:

Duma Key was not for me/its lengthy plot was scary - not!

So thus, the birth of the Book Review 120 is born.

Speech Tags

Speech tags are those bits of description attached to dialogue. For example:

"You underestimate me, Paul," Sarah said, lifting her chin.

or

As Anne Marie ran down the stairs, she looked over her shoulder and shouted, "You can't catch me!"

Once you begin to notice speech tags when you read, you'll never stop. They're everywhere. Sometimes, the speech tag is an adverb that is used to describe how a character actually sounds when she says something:

"You underestimate me, Paul," Sarah said loftily.

These adverbs (generally, words ending in -ly) can become quite silly if used too often. In fact, there is even a term for them: Tom Swifty. A 'Tom Swifty' is a pun, such as:

"I'm on fire," he said hotly.

or

"Anyone can do that," she said easily.

Using too many speech tags can make your writing appear clumsy or childish. Your characters should be able to express themselves with their actions rather than rely on you, the author, to tell the readers what is going on. For example:

Andrew frowned and shoved his hands into his pockets. "It's not fair," he said.

is better than:

"It's not fair," Andrew said huffily.

Another way to correct speech tags is to turn them into independent sentences of their own. For example:

"I hate you," Gwynneth said and covered her face with her hands.

Change this to:

"I hate you," Gwynneth said. She covered her face with her hands.

Some writers will even go so far as to say that a writer should never use speech tags other than 'said' when writing. While I think that 90% of speech tags can be effectively written out of a dialogue, I do think that an occasional one is fine. Stephen King is one author who, in his book, On Writing: A Memoir of the Craft said that speech tags should be eliminated, yet, if you read his work, you will see that he still uses them. I would suggest that if you see that your writing has more than one speech tag per page (other than a simple, 'said'), you need to do some editing.

A final thing to notice about speech tags is that, other than said, there are a few words that be used when your characters give voice. For example:

"I'm sorry," she whispered.
"I'm sorry," she shouted.
"I'm sorry," she admitted.
"I'm sorry," she whimpered.

Please notice that 'smiled' is not among these words! Someone cannot smile something. She can smile and say something, but she cannot just smile it.